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Terminator Sequel More Family-Friendly

Christian Bale, Terminator

In hopes of broadening their movie’s audience, the producers of have announced they’re aiming for a PG-13 stamp.  This move would be a departure from the first three installments which were all rated R.

Devotees of the series might find this bit of news a little upsetting.  Would a dialed-down film also mean a watered-down Terminator?  Meanwhile, younger fans of the series are probably thrilled by this announcement.  Now they’ll get to follow along on the big screen.

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Variety


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R-Rated ‘Hitman’ to be Sanitized

Hitman logoCHUD is reporting that the Hitman movie, based on the popular videogame series and starring Timothy Olyphant as divinely inspired assassin Agent 47, will be recut to achieve a PG-13 rating. Allegedly, Twentieth Century-Fox believe the film to be too violent and have removed director Xavier Gens and brought in Nicholas De Toth to oversee the new cut.

In an emerging pattern, De Toth also stepped in to censor the recent Live Free or Die Hard, which, as you may know, was the first of the franchise to obtain the lower rating (note to self: go back and watch anything edited by Nicholas De Toth and consider what it could have been).

With little over a month before its release, a rushed Hitman could—if in fact it was kick-ass—become another videogame adaptation that just isn’t as kick-ass as its source material (see Mortal Combat and Street Fighter).

UPDATE: New information has surfaced regarding this issue.

Read More | CHUD

Worst Movie Titles of 2007 (So Far)

DescriptionThis weekend’s Joaquin Phoenix/Mark Wahlberg flick has been driving me batty for weeks—and I haven’t yet seen the film.  I don’t even have a problem with the trailer.  The movie simply suffers from a horrible case of crap-title-itus.

We Own the Night?  Could that be more vague?  Instead of envisioning a cops vs. mafia film, all I can see is the now-defunct (yet great) soap opera Edge of Night.  And while I understand the film’s title would be explained if I actually watched it,  that doesn’t excuse it’s existence.  The box office shelf life for movies is extremely short these days; more attention should be paid to the little things.  I’m an extremely shallow person who often judges books by their cover.  I need a proper teaser.

And believe me—‘craptitleitus’ does not discriminate.  Great movies, movies actually worthy of attention, often become victims of this affliction.  Poor marketing can affect anything and everyone.

So to honor We Own the Night’s crap-status, I’m going to list my Worst Titles of 2007 (thus far).

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FilmCrunch 063: Ocean’s Thirteen, SiCKO, Live Free or Die Hard, Black Snake Moan

Veronica Santiago and Neil Estep are back with another episode of FilmCrunch - this time we review Michael Moore’s SiCKO, Live Free or Die Hard, Ocean’s Thirteen (in under a minute), and the DVD release of Black Snake Moan.

Now we want to hear from you - hit the forums and let us know what you think, what you want us to watch next, and any other recommendations you have for the show.


Box Office Breakdown:  A Homerun For Homer

The Simpsons

Looks like Homer ain’t gonna be needing a deal on donuts anymore….

With a $74 million opening weekend, The Simpsons Movie debuted higher than most of the animated features released…ever.  Only the two Shrek sequels did better.  Quite a head-shaking number since we can still see the series for free on television.  But viewers from every single Springfield in the US—plus a thousand other cities out there—love the family so much, they were willing to pay for more.  Especially when it comes with nudity.

What theatergoers aren’t willing to pay for is more I Know Who Killed Me placed a dismal 9th, possibly due to lack of promotional work by the star.  How ironic that in the end it was Lindsay who was responsible for killing the movie and possibly her career.

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Read More | Variety

Box Office Breakdown:  Chuck and Larry Outmuscle Harry

ChuckandLarry

Lord Voldemort should be kicking himself.  Wizardry, schmizardry.  All he needed was a bag of outdated gay jokes to bring young Harry down.

Wedding planners everywhere had expected 7/7/07 to be the biggest wedding day of the year, but it was 7/20/07 that proved to be eventful for comedians Adam Sandler and Kevin James.  Their domestic partnership brought in enough guests to outdo Harry Potter and the Order of the Phoenix, though they only gained $2 million more than the Potter juggernaut.  Fan support for Sandler movies has always been strong—which is why I Now Pronounce You Chuck & Larry is his ninth movie to open at #1.

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Box Office Breakdown:  Competition Schooled By Hogwarts

Harry Potter

Apparently Daniel Radcliffe can bring in the audiences without having to strip…unless that’s what the female theatergoers were secretly hoping for.

Whatever the reason, a record number of voyeurs helped the Hogwarts clan whip up the biggest 5-day total for a non-holiday release.  Harry Potter and the Order of the Phoenix’s $140 million beat out Shrek 2’s record set in 2004 ($128 million).  The film is now on track to be the largest Potter installment to date.

As for why the producers of Captivity chose to open amongst all the recent family-fare is beyond me.  And yes, I know that’s why they call it counter-programming.  Ironically, while I would have loved to watch Elisha Cuthbert’s character from 24 (the oh-so annoying Kim) be subjected to torture-porn, I really no desire to see her do anything these days.  Apparently I’m not alone….which is why the only other film widely-released this week opened in 12th place.  Now that’s torture.

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Box Office Breakdown: Optimus Is In His Prime

Transformers

We knew that a Michael Bay/ Steven Spielberg venture would be a hit—so what really is there left to say?  Well, did you know that this is Bay’s biggest opening since 2001’s awful Pearl Harbor ($59.1 million)??  Did you know that Shia LeBeouf is the first leading man (he just turned 21, so is a leading man) to have two movies reach the top spot this year?

Moving on…how about that awful showing for License to Wed?  Not that I predicted much for the film—but ouch.  Question is:  which Office actor fared worse in this summer’s box office?  Steve Carell who starred in an obscenely expensive Evan Almighty—a movie that at least managed #1 berth?  Or John Krasinski whose movie clearly looked like a bomb from the get-go but came with low expectations?  That may be something for Dwight Schrute to sort out…

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Box Office Breakdown:  Yippee-Kay-Yay Ratatouille!

Ratatouille

Bruce Willis and Co. may have managed to steer clear of gigantic robots—but they somehow overlooked a group of pesky rats.  Live Free and Die Hard was conveniently positioned one week ahead of this summer’s most anticipated blockbuster…yet squarely in the path of a rodent’s bite.  Nevertheless, the aging John McClane still proved that he can get the job done and earn his keep.

Meanwhile, Ratatouille chewed up the competition with a $47 million dollar debut, although it surprisingly foraged less than most of its Pixar elders (only A Bug’s Life and Toy Story started off lower).  What it did manage to do was help boot Surf’s Up out of the Top 10 leaving room for another Shia LeBeouf feature to transform the landscape in just a matter of days…

Click to continue reading Box Office Breakdown:  Yippee-Kay-Yay Ratatouille!


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