Clicky

On The Bleeding Edge: Bleeding Edge TV 412: Monster Diamond Tears - Edge over-ear headphones

Latest Video: FilmCrunch 067: Hairspray, Chuck & Larry, Premonition reviewed

Veronica Santiago and Neil Estep review Hairspray, Chuck & Larry, and Premonition in this episode of FilmCrunch.
Play Video
Close Player   Episode Permalink Comment on this Video Subscribe to this show via iTunes, Miro, or RSS Download for: iPod High Definition

Review: Young@Heart

Young@Heart posterSince 1982, the Young@Heart chorus, with members averaging an age of eighty, has wowed audiences with unique and entertaining interpretations of classic punk and rock songs.

Director Stephen Walker follows the geriatric troupe as they prepare for one of their biggest and most challenging undertakings: the Alive and Well tour. The film delves into the personal lives of key chorus members, spotlights group leader Bob Cilman, and attempts to explain the appeal of watching elderly people singing your favorite songs. The appeal doesn’t need much explaining, however—Young@Heart touts some of the most fascinating people you’re likely to find, and, if you have any doubts as to whether you’ll enjoy the film (like I did), by the end you’ll be wondering why you’ve never heard of these idiosyncratic octogenarians.

Read the full review after the jump.

Click to continue reading Review: Young@Heart


Advertisement

Interview With Martin McDonagh and Colin Farrell of ‘In Bruges’

Colin Farrell and Martin McDonagh


Last week, FilmCrunch had the opportunity to interview Martin McDonagh and Colin Farrell, director and star of the upcoming film In Bruges.

Ray (Colin Farrell) and Ken (Brendan Gleeson) are two hitmen sent to the Belgian city of Bruges after a botched job in London. They’ve been told by their boss, Harry (Ralph Fiennes), to do some sight-seeing, lie low and await further instruction. But the city, full of ancient architecture and historical landmarks, can’t satiate Ray and his need for distraction. The men venture out and soon discover that beneath the city’s quaint exterior lies a strange and disturbing underbelly, a surreal setting that causes them to begin to question life and death, right and wrong, and the purpose behind their little “vacation.”

For more about the film, visit the official site or read the FilmCrunch review.

 

Click to continue reading Interview With Martin McDonagh and Colin Farrell of ‘In Bruges’


Review: In Bruges

In Bruges screenshot


I love when I come into a film having preconceptions, and they are totally obliterated and replaced with the feeling that I’ve found something unique, something I was unable to foresee. That may seem a bit dramatic—In Bruges is, after all, a fairly linear story. But writer/director Martin McDonagh injects a dark, reflective tone into what could’ve easily been a talk-‘em-up, shoot-‘em-up Guy Ritchie film; those who’ve seen the trailer know what I mean. And while Ritchie films are appealing in their own right, In Bruges deviates significantly, exhibiting characters who somehow transcend their quick wit and hardened exteriors to reveal—much like the city itself—great history and depth.

Ray (Colin Farrell) and Ken (Brendan Gleeson) are two hitmen sent to the Belgian city of Bruges after a botched job in London. They’ve been told by their boss, Harry (Ralph Fiennes), to do some sight-seeing, lie low and await further instruction. But the city, full of ancient architecture and historical landmarks, can’t satiate Ray and his need for distraction. The job-gone-wrong had been Ray’s first assignment as hitman, but the unspeakable mess left in London is but a slight snag for long-timer Ken, numb to the violence of his profession.

Check out the FilmCrunch interview with Martin McDonagh and Colin Farrell.

Click to continue reading Review: In Bruges


Advertisement