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Box Office Breakdown: Rambo Outgunned by Spartans

Rambo

Although was hoping to end the series on an up note, it appears the actor/writer/director will just have to settle for second place.  Many had expected the fourth installment would come away with the weekend’s spoils, unfortunately the aging action hero was overpowered by a group of toga-clad warriors.

It should be said though that had an extremely narrow victory.  The spoof of 2007’s edged out the action flick by just $300,000.  But a win is still a win, right?  The satire also had the best per screen average of any movie in the Top Ten ($7104).

Click to continue reading Box Office Breakdown: Rambo Outgunned by Spartans

Read More | Variety

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‘Cloverfield’ Ready for Big Box Office Debut

CloverfieldScheduled to open January 18, the big-budget thriller stands to make a killing. At least, that’s the hope. The release doesn’t have a lot of big-name stars, but teaser trailers have been running for months now and strong promotion generally creates ticket holders. Unique shooting techniques and hard-core action make Cloverfield compelling and serve to give viewers the feeling of being in the story - something that worked well for movies using similar techniques (like ).

The movie sets the stage by introducing all the characters while putting viewers right in the mix. One friend plans a journey to Japan to find his own identity and way in the world, as others make a tape for him so he can hold happy memories close. But Cloverfield is about no happy party - for soon enough, terror strikes. In this way, this film is very much like any other movie ever made.

What’s different about ? Lots of money, slick production, and in-your-face glimpses of the monster give this film a polished feel often lacking in other horror flicks. The movie strives for a natural, authentic feeling sure to keep viewers right on the edge. And the monster, it’s said, is well worth the wait.

Read More | Hollywood Reporter

In Theaters This Weekend (12/21)

Charlie Wilson's War

Here are some possible suggestions for your upcoming weekend:

*limited and/or gradual release


Box Office Breakdown: The Golden Compass Lacks Luster

Golden Compass

A Narnia-esque adaptation partnered with a holiday release date and an A-list cast should have conjured box office magic for .  Surprisingly, this weekend’s release from brought in barely enough money to cover the film’s catering budget.

Compass, based on Philip Pullman’s children’s series His Dark Materials, was and second disappointing collaboration this year (the first being ).  While it was enough for a first place finish, the $25 million debut was hardly impressive given the film’s $180 million price tag.

In other news, holiday flick remained in third place while the critically-panned bumped up two spaces from last week.  Meanwhile, and did well with their very limited releases.

Be looking for the highly-promoted (and ) to enter next week’s charts.

Click to continue reading Box Office Breakdown: The Golden Compass Lacks Luster

Read More | E! Online

Box Office Breakdown: Jessica Alba Can’t Keep Audiences Awake

Awake

There’s nothing like a good snub to restore your faith in moviegoers. 

Although was the only new wide release this past weekend, discerning audiences kept it from succeeding by default.  (NOTE: Cute squirrels will always trump .)  The movie, also co-starring Star Wars’ , opened with a dismal $6 million - less than half of what Alba’s last stellar film, Good Luck Chuck, did.  (The latter opened at $13.7 million.) I wonder if this currently makes the most successful Jessica out there.

Aside from Awake’s entry, the rest of the Top Ten changed very little from last week.  refused to budge from its perch and earned another $16 million over the past three days.  Meanwhile, surged back up a notch, trading spots with holiday flick, .

Although the box office numbers were unspectacular overall, we can expect big changes in just a few days; that’s when New Line’s makes its debut.

Click to continue reading Box Office Breakdown: Jessica Alba Can’t Keep Audiences Awake


What’s in ‘The Mist’?

Posted by K.C. Morgan Categories: MGM, Adaptation, Horror, New Releases

The Mist screenshotActual mist is created with suspended droplets of moisture, and is not to be confused with fog (which has greater visibility) or haze (which is a different color altogether). And , pop kitsch horror writer-turned movie mogul, is not to be confused with a writer who actually offers some value. If weather phenomenon frighten you and you’re at all interested in seeing yet another movie about losing visibility and being beset by scary occurrences, go see The Mist. If you started to get bored with King, stay away.

So, here’s the setup. Bunch of people living in Maine, everyone’s just doing their thing. All of a sudden, a strange mist (not a fog, mind you, a mist) rolls into town. Frightened and dismayed, citizens hole up in a grocery store to escape this ever-encroaching mist. How likely is that, honestly? You’re out and about, you’re shopping, a thick mist rolls in. Do you lock the doors, batten down the hatches and wait it out? Or do you just take your groceries home? Honestly now. Anyway, the film takes place

entirely

in the grocery store and features effects which at least saves the movie from being a complete waste of time. Did I mention there are some sort of weird monsters living in the mist? Mist monsters?

Click to continue reading What’s in ‘The Mist’?

Read More | Hollywood Reporter

In Theaters This Weekend (11/30)

Awake
  • Awake (R):  starring Hayden Christensen, Jessica Alba, Terrence Howard (directed by Joby Harold)
  • Badland* (R):  starring Jamie Draven, Linda St. George, Linda Naney (directed by Francesco Lucente)
  • Chronicles of an Escape* (R):  starring Rodrigo De La Serna, Pablo Echarri (directed by Adrian Israel Caetano)
  • Divine Intervention* (R):  starring Wesley Jonathan, Jazsmin Lewis, James Avery (directed by Van Elder)
  • The Diving Bell and the Butterfly* (PG-13):  starring Mathieu Amalric, Emmanuelle Seigner (directed by Julian Schnabel)
  • Oswald’s Ghost* (NR):  (directed by Robert Stone)
  • Protagonist* (R):  starring Hans-Joachim Klein, Mark Pierpont, Joe Loya (directed by Jessica Yu)
  • The Sasquatch Gang* (NR):  starring Jon Gries, Jeremy Sumpter, Justin Long (directed by Tim Skousen)
  • The Savages* (R):  starring Laura Linney, Philip Seymour Hoffman, Philip Bosco (directed by Tamara Jenkins)
  • Sex and Breakfast* (R):  starring Macaulay Culkin, Alexis Dziena, Eliza Dushku (directed by Miles Brandman)
  • Teeth* (R):  starring John Hensley, Jess Weixler, Hale Appleman (directed by Mitchell Lichtenstein)

*limited and/or gradual release


Box Office Breakdown:  Metal Blades Take Down Machine Gun Leg

Grindhouse

Not even the combined directing muscle of Team Tarantino/Rodriguez could take away the gold medal from Team Ferrell/Heder.  Despite the publicity onslaught, Grindhouse didn’t even score a silver.  Heck, it didn’t even make the medal platform.  But I guess it could have been worse.  Two-time Oscar winner Hilary Swank not only placed fifth—but she too was beat out by a family friendly Ice Cube.  I think it’s now safe to say that the plagues have officially commenced..


1. Blades of Glory, Paramount, $22,522,330
2. Meet the Robinsons, Disney, $16,715,437
3. Are We Done Yet?, Sony, $14,262,724
4. Grindhouse, Weinstein Co., $11,596,613
5. The Reaping, Warner Bros., $10,025,203
6. 300, Warner Bros., $8,368,382
7. Wild Hogs, Disney, $6,644,971
8. Shooter, Paramount, $5,856,494
9. TMNT, Warner Bros., $4,825,445
10. Firehouse Dog, Fox, $3,838,916


Box Office Breakdown:  Blades Has The Cutting Edge

Blades of Glory

It really shouldn’t have been hard to predict that a Will Ferrell movie—or frankly a better movie—would take the top spot away from those fightin’ turtles.  Audiences simply love watching him mock their beloved sports.  It’s also worth nothing that TMNT sunk so low…it was even surpassed by the old fave, 300Cowabunga?#$%!

Here’s how the rest of the weekend broke down:

1. Blades of Glory, Paramount, $33,014,202
2. Meet the Robinsons, Disney, $25,123,781
3. 300, Warner Bros., $11,434,437
4. TMNT, Warner Bros., $9,232,362
5. Wild Hogs, Disney, $8,662,893
6. Shooter, Paramount, $8,364,413
7. Premonition, Sony, $5,213,264
8. The Hills Have Eyes II, Fox Atomic
9. Reign Over Me, Sony, $3,835,022
10. The Last Mimzy, New Line, $3,815,600


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