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MIchael Moore Offers Free Online Film

Slacker Uprising

Starting September 23, director will be giving fans a rare treat: a free look at his latest project. This move, which will happen purposefully before the presidential election, comes four years after the controversial Fahrenheit 9/11 was released.

In Slacker Uprising, cameras follow Moore during a 2004 tour. The filmmaker hit 62 different cities that year in hopes of inspiring young adults to vote. (A trailer for the documentary can be seen after the jump.)

Although he originally intended to release Slacker in theaters, Moore - who doesn’t expect to profit from the release - wanted a way to celebrate Roger & Me‘s upcoming anniversary. (That film debuted in 1989.) “This is being done entirely as a gift to my fans. The only return any of us are hoping for is the largest turnout of young voters ever at the polls in November, ” Moore states on his website.

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Read More | USA Today

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Fahrenheit 9/11 Sequel Planned

Fahrenheit 9/11 - never one to shy away from controversy - is back at it again.  The writer/producer/director has chosen to follow up last year’s Sicko with a sequel to his 2004 hit, Fahrenheit 9/11.

While this movie will chronologically pick up where the original left off, it will not be about one specific event.  It will instead have a much broader focus.  According to the chief for Paramount Vantage (one of the two companies Moore is partnering with), the film “is going to tackle what’s going on in the world, and America’s place in it.”

Those already worried about the timing of Oliver Stone’s upcoming Bush project should feel at ease with this new documentary.  Moore is not planning to release the film until sometime next year - long after the presidential election is over.

Read More | Hollywood Reporter

FilmCrunch 063: Ocean’s Thirteen, SiCKO, Live Free or Die Hard, Black Snake Moan

Veronica Santiago and Neil Estep are back with another episode of FilmCrunch - this time we review Michael Moore’s SiCKO, Live Free or Die Hard, Ocean’s Thirteen (in under a minute), and the DVD release of Black Snake Moan.

Now we want to hear from you - hit the forums and let us know what you think, what you want us to watch next, and any other recommendations you have for the show.


Box Office Breakdown:  Competition Schooled By Hogwarts

Harry Potter

Apparently Daniel Radcliffe can bring in the audiences without having to strip…unless that’s what the female theatergoers were secretly hoping for.

Whatever the reason, a record number of voyeurs helped the Hogwarts clan whip up the biggest 5-day total for a non-holiday release.  Harry Potter and the Order of the Phoenix’s $140 million beat out Shrek 2’s record set in 2004 ($128 million).  The film is now on track to be the largest Potter installment to date.

As for why the producers of Captivity chose to open amongst all the recent family-fare is beyond me.  And yes, I know that’s why they call it counter-programming.  Ironically, while I would have loved to watch Elisha Cuthbert’s character from 24 (the oh-so annoying Kim) be subjected to torture-porn, I really no desire to see her do anything these days.  Apparently I’m not alone….which is why the only other film widely-released this week opened in 12th place.  Now that’s torture.

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Box Office Breakdown: Optimus Is In His Prime

Transformers

We knew that a Michael Bay/ Steven Spielberg venture would be a hit—so what really is there left to say?  Well, did you know that this is Bay’s biggest opening since 2001’s awful Pearl Harbor ($59.1 million)??  Did you know that Shia LeBeouf is the first leading man (he just turned 21, so is a leading man) to have two movies reach the top spot this year?

Moving on…how about that awful showing for License to Wed?  Not that I predicted much for the film—but ouch.  Question is:  which Office actor fared worse in this summer’s box office?  Steve Carell who starred in an obscenely expensive Evan Almighty—a movie that at least managed #1 berth?  Or John Krasinski whose movie clearly looked like a bomb from the get-go but came with low expectations?  That may be something for Dwight Schrute to sort out…

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Box Office Breakdown:  Yippee-Kay-Yay Ratatouille!

Ratatouille

Bruce Willis and Co. may have managed to steer clear of gigantic robots—but they somehow overlooked a group of pesky rats.  Live Free and Die Hard was conveniently positioned one week ahead of this summer’s most anticipated blockbuster…yet squarely in the path of a rodent’s bite.  Nevertheless, the aging John McClane still proved that he can get the job done and earn his keep.

Meanwhile, Ratatouille chewed up the competition with a $47 million dollar debut, although it surprisingly foraged less than most of its Pixar elders (only A Bug’s Life and Toy Story started off lower).  What it did manage to do was help boot Surf’s Up out of the Top 10 leaving room for another Shia LeBeouf feature to transform the landscape in just a matter of days…

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The Sicko in Moore

Michael Moore You might have seen trailers for Michael Moore’s new Sicko – one memorable clip shows President George W. Bush at a press conference. But, unlike Moore’s Fahrenheit 9/11, Sicko does not focus on the Bush administration (that’s better left to the comics, these days). This documentary is about American healthcare, an issue that many politicians say they care about, though precious little ever changes. The film focuses on pharmaceutical companies and corruption in the Food and Drug Administration, and is particularly harsh toward Sen. Hillary Rodham Clinton. As the First Lady, Clinton was an advocate of a better health care system for all. Now that she’s a bona fide politician and possible Presidential candidate, Clinton is one of the biggest recipients of money from the health care industry. Sicko takes viewers inside the dark side of healthcare, showcasing the horrors that ordinary people must face when they discover they are underinsured (or worse, uninsured). While everyone else focuses on energy, global warming, and education, Michael Moore goes for the jugular of American politics and problems: health care. 

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Read More | LA Times

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