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Latest Video: FilmCrunch 067: Hairspray, Chuck & Larry, Premonition reviewed

Veronica Santiago and Neil Estep review Hairspray, Chuck & Larry, and Premonition in this episode of FilmCrunch.
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Joss Whedon Was Serious About Terminator Bid

Joss Whedon, self-proclaimed mastermindWhen I read Joss Whedon‘s open letter (seen in full after the jump) to the Terminator owners (putting down a $10,000 bid for the rights), I laughed so hard that I actually didn’t think that the Dollhouse creator penned it himself.

Up against moguls like Sony Pictures and Summit Entertainment (the folks behind the very profitable Twilight franchise), Whedon barely seems to stand a chance as he waves his meager $10,000 offer around—was he serious at all? Turns out that the geek extraordinaire hasn’t wanted money this badly “since they auctioned off frames from The Little Mermaid.”

When asked if he finds his bidding laughable, Whedon remarked, “What do you mean, funny?! You think $10,000 is funny?! Here’s the thing: It’s not a slam on The Terminator. I love The Terminator. That part’s totally true. So you know what, never hurts to ask.”

To much of his fans’ surprise, the writer-director claims that he doesn’t just like the series because his former co-worker Summer Glau was on the television series: “I loved the movies, even the later movies. I loved the mythology. I loved the TV show [The Sarah Connor Chronicles]–like, really loved. Not for pretend. And not just because of [star] Summer [Glau].”

Click to continue reading Joss Whedon Was Serious About Terminator Bid

Read More | Entertainment Weekly

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Extended Run for This Is It

This Is It

When does a two-week run ever last for only two weeks?

Earlier this month, the Toy Story/Toy Story 2 double feature was given an indefinite run once it neared its expiration date. Now the forces behind Michael Jackson’s This Is it are also having a change of heart. The documentary, which officially debuted last week, will now remain in theaters through Thanksgiving—that’s approximately 3 more weeks than originally planned. (I’m surprised Sony just didn’t book it for 50 dates like AEG did with Michael’s tour.)

Those still unable to catch in theaters will likely get tickets to a home version soon. It’s believed the DVD will come out in early 2010.

Read More | Showbiz 411

Box Office Breakdown: Saw Outdone by Paranormal Activity

Paranormal Activity

Have audiences seen enough Saw?

Although Jigsaw is known for slaying his competition, the serial killer was no match for Katie Featherstone and Micah Sloat. This weekend, those two unknowns saw their small project, , finally top the box office charts. The movie, which was produced for approximately $15,000, reached that position after a steady climb up the ranks. (Aren’t films supposed to go down?) The horror flick also had a higher per screen average than any entry in the Top 10 despite fewer engagements.

Click to continue reading Box Office Breakdown: Saw Outdone by Paranormal Activity

Read More | Variety

Box Office Breakdown: The Wild Things Are #1

Where the Wild Things Are

Who knew a 10-sentence long story could do so well?

It may have taken over three years for Where the Wild Things Are to officially debut, but the long journey was apparently worth the wait. The Spike Jonze project, which was once rumored to be too scary for children, finally unfolded over the weekend and soared to first place. The Maurice Sendak adaptation, which earned approximately $32.7 million, also gave Warner Bros. its best October open ever.

Even though Gerard Butler didn’t bother to promote during his recent Saturday Night Live stint, the film managed to survive on its own. The actioner, which also starred Jamie Foxx, raked in just over $21 million and won a close race for 2nd place. Meanwhile, word-of-mouth hit Paranormal Activity grossed another $19.6 million and moved up one rung to the third spot.

Click to continue reading Box Office Breakdown: The Wild Things Are #1

Read More | Variety

Box Office Breakdown: Audiences Escape to Couples Retreat

Couples Retreat

Depending on how you look at the numbers, the winner this weekend was either or Paranormal Activity.

In the comedy corner, we have a Peter Billingsley-directed film that earned $35.3 million and a first-place finish. The movie - which combined the efforts of Vince Vaughn, Jon Favreau and Jason Bateman - pulled in the best numbers for any Columbus Day weekend entry ever. It also gave Vaughn his 2nd best opening behind The Break-Up.

Meanwhile, on the horror front, made a huge splash despite being in limited release. The Blair Witch-esque movie scared up a shocking $49,000 per screen average. It also raked in nearly 500 times more than its budget. (It only cost less than $16,000 to produce.)

Click to continue reading Box Office Breakdown: Audiences Escape to Couples Retreat

Read More | Variety

Box Office Breakdown: No Sluggish Start for Zombieland

Zombieland

Watch out, vampires…there’s still life in the other undead.

Although he was previously known as a director for Jimmy Kimmel Live, Ruben Fleischer now has a new title: box office champ. This past weekend, Ruben saw his first major feature, , attack the competition with a $24.7 million debut. The movie - which only cost approximately $24 million to make - had the highest open for any zombie-themed flick since Dawn of the Dead in 2004.

Meanwhile, another director had an entirely different result with her debut feature. , a roller derby comedy helmed by Drew Barrymore, rolled into 6th place finish with only $4.7 million. (When your film’s been topped by Pixar entries from 10+ years ago, there might have a problem.) Hopefully in a few more weeks, the Ellen Page vehicle will at least cover its $15 million production tab.

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Read More | Variety

Box Office Breakdown: Meatballs Rolls to Another Victory

Cloudy with a Chance of Meatballs

was no substitute for meatballs.

Despite competition from a Bruce Willis film, a music-based remake and a sci-fi horror entry, remained the theatergoers’ order of choice for the second week in a row. The children’s book adaptation had Sony dining to the tune of $25 million—over $10 million more than the second place finisher.

Many thought Willis, who hasn’t had a major role since 2007’s Live Free or Die Hard, was on track to take first this weekend. Unfortunately, his hair movie was considered a big letdown given its $15 million gross and $80 million budget. Meanwhile, , a remake of the 1980 hit, had no one feeling like they wanted to live forever. The MGM feature only rung up $10 million for third place.

Click to continue reading Box Office Breakdown: Meatballs Rolls to Another Victory

Read More | Variety

Box Office Breakdown: Chance of Meatballs is Winning Recipe

Cloudy with a Chance of Meatballs

While it may not have had a Damon, an Aniston or a Fox, had something no other film did this weekend: a win. The animated adaptation raked in $30.3 million over the weekend easily pushing it to the top of the charts. The PG-rated entry towered over the box office and nearly tripled its nearest competitor (The Informant). The 3-D film also gave Sony Pictures Animation its biggest debut to date.

Elsewhere, two Hollywood beauties were struggling to make a respectable showing. Despite (or because of) a number of notable quotes, Megan Fox failed to muster any interest in her first starring vehicle. Jennifer’s Body, a horror film penned by Diablo Cody, raised a whopping $6.9 million for a fifth-place finish. (I’m not even sure that would be enough to fund one day of a Transformers production.) Megan Fox might not be a fan of Michael Bay, but she better be grateful she met him.

Click to continue reading Box Office Breakdown: Chance of Meatballs is Winning Recipe

Read More | Variety

Spider-Man Writer Announced

James Vanderbilt to pen Spider-Man 5 and 6Just as Sony is in the midst of prepping Spider-Man 4 for filming, the studio made little hesitation with Spider-Man 5 and Spider-Man 6 by hiring Zodiac writer James Vanderbilt to pen the scripts.

Vanderbilt isn’t new to the Spider-Man films—he wrote the initial script for Spider-Man 4, which was later revised by Inkheart screenwriter David Lindsay-Abaire (Seabiscuit writer/director Gary Ross is currently revising that script).

Columbia Pictures and Marvel Studios clearly have faith in Vanderbilt, whose ideas director Sam Raimi didn’t necessarily embrace (leading him to rewrite). Nonetheless, he has now been given a second chance with the scripts for the fifth and sixth installations, which are expected to have an interconnected storyline. With that said, executives are planning to use Vanderbilt’s two scripts as a franchise reboot in case Raimi and stars Tobey Maguire and Kirsten Dunst do not return.

While I find it amusing that they’re considering a reboot for the series, I admire that they’re wasting no time in seeing these films made. Let’s just hope that the producers can assure the involvement of the Spidey trio in all of them!

Read More | Variety

Box Office Breakdown: Bruno Crawls His Way to #1

Bruno crawling

Just like in the fashion world, one day was hot—the next day he was not.

Even though the comedy did well enough to place first this weekend, it appears the sexually graphic film may have turned some off. Ticket sales for the entry dropped 39% between Friday and Saturday, leading many to believe that negative word of mouth played a factor.

In total, Bruno piqued enough interest to raise $30.6 million over three days. While that gross beats Borat‘s $26.5 million debut, the 2006 film later went on to earn $129 million domestically.

Click to continue reading Box Office Breakdown: Bruno Crawls His Way to #1

Read More | Variety

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