Box Office Breakdown: It’s Super To Be Bad
Posted by Veronica Santiago Categories: 20th Century Fox, Disney, New Line, Paramount, Sony, Universal, Warner Bros, Action, Adaptation, Adventure, Animation, Drama, Family, Horror, Music, Musicals, Romance, Science Fiction, Sequels, Comedy, Thrillers, Books, Lists, New Releases
The Judd Apatow train is bound to hit a roadblock at some point—but for the time being, it’s full steam ahead. Superbad opened impressively with over $30 million this weekend making it the third Apatow-related project in a row to accomplish this feat (the others being Talledega Nights and Knocked Up). This is, of course, not taking into consideration the uber-sleeper hit The 40-Year-Old Virgin.
Meanwhile, there was nothing super about Nicole Kidman’s latest outing. The Invasion, the latest version The Body Snatchers, scared up a dismal $5.9 million (and that’s despite Daniel Craig’s hunky presence). But I predict a much stronger outing for these two later this year with The Golden Compass.
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Box Office Breakdown: Audiences Not Yet Tuckered Out
Posted by Veronica Santiago Categories: 20th Century Fox, Disney, New Line, Paramount, Sony, Universal, Warner Bros, Action, Adaptation, Adventure, Animation, Drama, Family, Music, Musicals, Romance, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists, New Releases
Spider-Man 3, Shrek the Third, Pirates, Ocean’s, Bourne and now Rush Hour 3. All six three-quels premiered directly at the top of the heap this summer.
Unfortunately, a six-year gap between the second and third Rush installments may have led to what some would consider slightly disappointing receipts. On any other occasion, a $50 weekend would be something to brag about. But considering it pales to the $67.4 million brought in by the 2001 predecessor, it’s only worth a pat on the back.
But really, the Disappointment of the Week honor should really fall on Cuba Gooding Jr. When you’re accepting rejected scripts from the man who played Norbit, you have to wonder where it all went wrong (two words: Chill Factor). Sadly, Daddy Day Camp was originally slated to be a straight-to-video release but somehow tested well enough to be released in theaters. Who knows? Maybe Gooding can pull a Halle and go straight-from-Oscar-to-Razzie.
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Box Office Breakdown: Bourne Breaks Bank
Posted by Veronica Santiago Categories: 20th Century Fox, Disney, Lionsgate, New Line, Paramount, Universal, Warner Bros, Action, Adaptation, Adventure, Animation, Family, Music, Musicals, Political, Romance, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists, New Releases
Matt Damon may still be vying for People magazine’s ‘Sexiest Man Alive’ title—but he has one thing that George Clooney and Brad Pitt don’t have: the biggest debut for an August opening ever.
The Bourne Ultimatum‘s $70 million take improved upon the previous Bourne installments and gave Damon his largest weekend to date (and that’s including all three Ocean’s movies).
Meanwhile, Lindsay Lohan should be happy that she’s holed up in rehab again—though seeing her movie kicked out of the Top Ten would have probably sent her there anyway. Apparently theatergoers can only handle one movie about Bratz at a time…
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Box Office Breakdown: A Homerun For Homer
Posted by Veronica Santiago Categories: 20th Century Fox, Disney, MGM, New Line, Paramount, Sony, Universal, Warner Bros, Animation, Drama, Family, Horror, Musicals, Period, Political, Romance, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists, New Releases
Looks like Homer ain’t gonna be needing a deal on donuts anymore….
With a $74 million opening weekend, The Simpsons Movie debuted higher than most of the animated features released…ever. Only the two Shrek sequels did better. Quite a head-shaking number since we can still see the series for free on television. But viewers from every single Springfield in the US—plus a thousand other cities out there—love the family so much, they were willing to pay for more. Especially when it comes with nudity.
What theatergoers aren’t willing to pay for is more Lindsay Lohan. I Know Who Killed Me placed a dismal 9th, possibly due to lack of promotional work by the star. How ironic that in the end it was Lindsay who was responsible for killing the movie and possibly her career.
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FilmCrunch 046: 300 Review
Posted by Andru Edwards Categories: Warner Bros, Adaptation, Drama, Period, New Releases, Short FilmCrunch, Theatrical Reviews, Videocasts
Neil Estep and Veronica Santiago review the epic film, 300, in this episode of FilmCrunch:
In the ancient Battle of Thermopylae, King Leonidas and 300 Spartans fought to the death against Xerxes and his massive Persian army. Facing insurmountable odds, their valor and sacrifice inspire all of Greece to unite against their Persian enemy, drawing a line in the sand for democracy.
Now we want to hear from you - hit the forums and let us know what you think, what you want us to watch next, and any other recommendations you have for the show.
FilmCrunch 038: Flags of our Fathers Review
Posted by Andru Edwards Categories: DreamWorks, Warner Bros, Adaptation, Period, Short FilmCrunch, Theatrical Reviews, Videocasts
Veronica Santiago and Neil Estep review Flags of our Fathers in this episode of FilmCrunch:
It is the most memorable photograph of World War II, among the greatest pictures ever taken. The winner of the Pulitzer Prize for photography and one of the most-reproduced images in the history of photography, the picture has inspired postage stamps, posters, the covers of countless magazines and newspapers, and even the Marine Corps War Memorial in Arlington, Virginia. “Raising the Flag on Iwo Jima,” a picture taken by Associated Press photographer Joe Rosenthal on February 23, 1945 depicts five Marines and one Navy Corpsman raising the U.S. flag on Mount Suribachi. The image served as a counterpoint for one of the most vicious battles of the war: the fight to take Iwo Jima, a desolate island of black sand barely eight square miles that would prove a tipping point in the Pacific campaign. Lasting more than a month, the fight was a bloody, drawn-out conflict that might have turned the American public against the war entirely, had it not been for the photo, which was taken and published five days into the battle. The photograph made heroes of the men in the picture as the three surviving flag-raisers were returned to the U.S. and made into props in the government’s Seventh War Bond Tour. Uncomfortable with their new celebrity, the flag-raisers considered the real heroes to be the men who died on Iwo Jima; still, the American public held them up as the best America had to offer, the supermen who conquered the Japanese—and then, just as quickly as it had arrived, the glory faded. For two of the surviving flag-raisers, life became a series of compromises and disappointments; for the third, happiness came only by shutting off his war experiences and rarely speaking of them ever again.
Now we want to hear from you - hit the forums and let us know what you think, what you want us to watch next, and any other recommendations you have for the show.
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