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Latest Video: FilmCrunch 067: Hairspray, Chuck & Larry, Premonition reviewed

Veronica Santiago and Neil Estep review Hairspray, Chuck & Larry, and Premonition in this episode of FilmCrunch.
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Box Office Breakdown: Final Destination Has Last Laugh

The Final Destination

Theatergoers made the destination this weekend.

Even though it had no A-list names and was pitted against another horror film, the fourth Destination installment gave the franchise its best opening to date. The movie, which was boosted by 3D venues and pricing, grossed approximately $27.4 million since its Friday debut. Up until now, the series only saw openings under $20 million.

Warner Bros.’ win meant a loss for . Rob Zombie’s latest splatter-flick scared up nearly $14 million less than 2007’s Halloween grossed. (This could be part of the reason why the director is being replaced for Halloween 3D.) Unfortunately, the $16.3 million take wasn’t even good enough for 2nd place. The sequel was actually topped by a different Weinstein Company film: Inglourious Basterds.

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Read More | Variety

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Box Office Breakdown: Transformers Rises Above the Competition

Transformers: Rise of the Fallen

It’s not very often when “loud” and “mindless” are deemed good qualities. But in Paramount’s case, it was a recipe for success.

Over the past five days, did what most films have been attempting all year: It passed the $200 million mark. (Up just became the first 2009 film to hit $250 million.)

While the Michael Bay film is definitely on track to be one of the most successful entries this year (let’s not forget about Harry Potter), the sequel’s opening still takes second behind last year’s topper. During its opening run, earned $203.8 million domestically.

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Read More | Variety

George Clooney to play assassin in A Very Private Gentleman

George Clooney A Very Private Gentleman is preparing to play the role of an assassin in his next film, A Very Private Gentleman. Clooney has signed to appear in this film, the latest from Anton Corbjin, director of Control. A Very Private Gentleman, based on a novel by Martin Booth, will see the Clooney’s character move to rural Italy, where he works as an artist painting miniature butterflies. He soon makes friends, including one of the local prostitutes, and gives confession regularly at the local church, and eventually realizes someone is following him. The film is being written by Rowan Joffe, who also wrote 28 Weeks Later, and is set to begin production this fall. There are no other casting announcements at this time.


Box Office Breakdown: The Day The Earth Stood Still Stands Tall

The Day the Earth Stood Still

Mediocre reviews couldn’t keep from vaulting into first place this weekend.

The sci-fi remake starring Keanu Reeves and Jennifer Connelly earned $30.5 million over the last three days, more than doubling the take of its nearest competitor. Although Earth had the smallest debut for a #1 film since October 17th (when Max Payne grossed $17.6 million), the Fox feature only cost a reported $80 million to make. It was also the studio’s best open since Horton Hears a Who unfolded in back in March.

The only other new entries in this week’s Top Ten were Nothing Like the Holidays and . Holidays took in $3.5 million and scored itself a 7th place finish. Meanwhile, Milk - which had actually reached #10 before - reentered the charts at #9.

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Read More | Variety

In Theaters This Weekend (12/7)

The Golden Compass

Here are some possible suggestions for your upcoming weekend:

Box Office Breakdown:  The Brave One Reaches #1

The Brave One

The Brave One took in nearly $15 million in its debut, making it the #1 film of this past weekend.  Although some may consider the gross disappointing for a film, I choose to think of it as a feat for women.

I decided to do a little research today and came away with some very unsettling news.  Since FilmCrunch started reporting Box Office numbers in mid-January, no female-led movie has reached the top of the pack.  That’s unless you count with , and I don’t.  Even then, that was almost 3 months ago.

, and made a stand for strong female roles during Sunday’s Emmys—and maybe it’s time that someone finally spoke up for women in film.  Until then, I’ll be counting the days until makes her royal return in Elizabeth: The Golden Years (out October 12th).

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Box Office Breakdown:  Yuma Ropes Up The Win

Yuma

Audiences went old-school this weekend helping 3:10 to Yuma corral the box office crown.  The well-received film, starring and , marked the second week in a row a classic movie remake landed at #1.  (Previous winner, Halloween slid down a notch this week).

Question now is:  Will the success of Yuma spur an onslaught of Westerns?  Given the lack of any real competition this weekend, it still may be too soon to say.  But any speculation will probably be confirmed when ‘s The Assassination of Jesse James by the Coward Robert Ford opens on September 21.

A trend that probably won’t be coming back anytime soon?  Brothers-desperately-trying-to-make-a-baby-to-make-their-father-happy-before-he-dies films.  The Brothers Solomon delivered a pathetic $525,000 in its debut weekend.  Granted, it didn’t show in many theaters (only 700)—but I’m guessing there was a reason for that.

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Box Office Breakdown:  Holiday Comes Early For Halloween

Halloween

Rob Zombie’s remake of the classic film, Halloween, scared up over $30 million this weekend smashing Transporter 2‘s 2005 achievement ($20 million).  Additionally, the horror film’s record gross capped off a successful summer for films overall.  With fifteen movies over the $100 million mark, the movie industry soared past $4 billion domestically.

Unfortunately, Jason Statham’s War did very little to contribute to this landmark achievement.  While he may have been a record-setter two years ago, his latest outing is slowly dropping off the charts.  Meanwhile, the weekend’s other two major openings—Balls of Fury and Death Sentence—fared decently enough to at least make a showing.

Click to continue reading Box Office Breakdown:  Holiday Comes Early For Halloween

Read More | Variety

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